Thumbs up! I honored and humbled to be chosen for Critical Mass 2018 Top 50! I appreciate the support of Photolucida and the jurors for this oportunity to share my work. When I began this project, I never had sights on the critical-acclaim that would follow. I couldn’t have done this alone and appreciate the support mentors, my gallerists, and the trusting participants from “The Unchosen Ones” project, many who I reconnected with this summer, including Gabe at the MN State Fair two weeks ago.
Writes Espeland: "The large, lovely portrait of a young woman and her goat may stop you in your tracks. It’s an image from a series Kern calls “The Unchosen Ones.” Taken from the sidelines at 10 county fairs across Minnesota that lead up to the state fair, they show animals and their young handlers – but losers, not winners. These are not the pairs that will go on to glory at the big fair in the cities. Photographed against a simple gray backdrop, the subjects – children and teenagers, sheep and goats – are lit like old masters. They are luminous and dignified. If this is what losing looks like, maybe it’s not so terrible after all."
The Executive Director of the Minnesota Citizen's for the Arts (MCA), Sheila Smith, selected me for the “Great State of Minnesota” Award at the 2018 Fine Arts Exhibition held at the Minnesota State Fair in St. Paul, MN opening this week. I'm honored and humbled. When we met, I shared with her my enthusiasm for the art grants in Minnesota which have generously supported my fine-art career. MCA was the first independent organization to give a cash award to artists at the Minnesota State Fair that "honors an artist depicting Minnesota subject matter in a highly skillful way." I'm proud to grow roots in this great state!
On newsstands now, the July/August 2018 of Communication Arts magazine features work from my series, "The Unchosen Ones." The Photography Annual 59 issue is dedicated to featuring images that received an Award of Excellence 2018. Five images that appeared in the self-published book, The Unchosen Ones, were published from the same project featured in National Geographic magazine (November 2017). I'm grateful and honored for the recognition! I've admired the magazine since my high school art classes!
The Minnesota State Arts Board awarded me a 2018-2019 Artist Initiative Grant to showcase the series, "The Unchosen Ones" to the county fairs where the work was created in 2016 (also grant supported). I've been busy working on this project over the last few months, interviewing many of the participants in my project (some featured in National Geographic magazine), asking them life skills-related questions about their efforts raising their animal. My grant proposal included the construction of banner displays that would be exhibited at 6-8 fairs in Minnesota.
In addition, I built a website that showcases more about the project >> The Unchosen Ones.
I have successfully exhibited the book four times: first at the Hennepin History Museum, and then three fairs.
One of the most meaningful highlights so far from this project was reconnecting with kids from featured in the project. Thumbs up!
I’m pleased to announced my fine-art prints are now available through Burnet Fine Art & Advisory in Wayzata, Minnesota. Before moving to their new Wayzata location, the Burnet Gallery showcased contemporary art for 10 years in Le Méridien Chambers hotel in Minneapolis. The space celebrates art addressing contemporary issues.
My first solo exhibition with the gallery will open July 11 and run through September 1, 2018 and will feature works from all three of my series: Divine Animals: The Bovidae, The Unchosen Ones, and Out to Pasture. Opening reception July 11 5:30 PM - 8:30 PM.
I’m honored to share my monograph “The Sheep and the Goats” has been awarded "The Most Beautiful German Books 2018,” by Stiftung Buchkunst, the most popular book prize in Germany. This competition dates to 1929, making it one of the industry's first competitions to award the “exemplary in design, conception, and workmanship” as awarded by an independent jury. The book will be shown on several exhibitions and fairs in Europe including the Frankfurt Book Fair.
For perspective, the "first jury" of the 2018 competition had 729 entries in total. Of those, 247 were narrowed down by the "second jury" to 247. Of these, 25 were awarded.
“The Sheep and the Goats” published by Kehrer Verlag was among awarded in the Top 25. With introduction by Lisa Volpe, Associate Curator of Photography, Museum of Fine Arts, Houston; essay by George Slade; interview by Stuart Klipper. Designed by Kehrer Design (Maximiliane Hüls).
Commentary from the jury panel:
JUSTIFICATION FROM THE JURY: "Inside title literally"
"Many people are well aware of this indefinable feeling of coziness that sets in at the sight of a sheep. If that's the case, you can not always drive to the country for reassurance.Two full-page series of images now provide a remedy: one of sheep, one of goats. Sometimes in small groups, often as individual portraits, animals can be viewed patiently. The book starts in the middle, because the inside title actually stands between the two groups of pictures, and the shortened pages with explanatory texts form a natural fugue in the book block.
The photographs are ideal pictures of real landscapes. The animals in it are among the oldest companions and beneficial partners of humans. Through the atmosphere of Arcadian innocence, one dreams of the primordial harmony of man and nature. It overlooks all too easily the extent of the millennia-long cultural achievements that have shaped such landscapes with goat hunger and sheep's wool.
On the precise prints the animals appear as individuals, even as beings with personality. The scarce picture legend calls region and country, and: the name of the animal. Even if ironic tones are echoed in the photographic staging, she is serious in that she acknowledges the magical and long-lasting connection between the little ruminants and their habitat. Pan, the god of the shepherds, would greatly enjoy this volume."
The 25 finalists:
A perspective from the judging process:
"Eating Buddy, Lake Myvatn, Iceland" along with nine other images from three projects Divine Animals: The Bovidae, Out to Pasture, and The Unchosen Ones are featured on the PDN Photo of the Day to promote the solo exhibition at Klompching Gallery in New York through June 30, 2018. Thank you for the exposure, PDN and wonderful selection of work, Darren Ching!
Writes Coralie Kraft: "Unlike many wildlife photographers who focus on the devastating human impact on the natural world, Kern’s work offers a different, but no less significant, thesis: how have humans shaped and molded these creatures over centuries, and how have these animals impacted our development in turn? "
I'm pleased to announce this very special exhibition at Klompching Gallery, New York. Located in the hub of arts district between the Brooklyn Bridge and the Manhattan Bridge in DUMBO, this art space is intimate, beautiful. This gallery has established itself a solid reputation for providing guidance on the acquisition of contemporary fine art photography. Darren Ching & Debra Klomp Ching will welcome you with the same delicate care I approach my subjects.
I welcome you to join me in person in two opportunities:
- Opening Reception Thursday May 10, 6 - 8 p.m.
- Book Signing Saturday May 12, 1 - 2 p.m.
Aline Smithson features "The Unchosen Ones" book and project along with an interview on April 27, 2018. In the article, I share tips on navigating the fine art waters, lessons I’ve learned, perspectives into my working process, what I learned from my subjects, why I decided to self-publish, what a perfect day looks like and more!
The Museum of Fine Arts in Houston acquired the first COLLECTOR'S EDITION of The Unchosen Ones (ed 20) in pre-sale this week. The project features photographs by R. J. Kern and a cloth clamshell box and print folio created in collaboration with Keith Taylor in Minneapolis, MN. The Artist Book Edition includes essays by independent curator Alison Nordström, PhD and Joe Scapanski, Minnesota State Fair Board of Managers. The pre-sale began on April 15 and books will ship May 2018 in conjunction with a solo exhibition at Klompching Gallery in New York from May 9 - June 30, 2018.
This is the second acquisition of work created R. J. Kern by the Museum of Fine Arts in Houston. The first included the COLLECTOR'S EDITION of The Sheep at the Goats in 2017.
"The Unchosen Ones" book received an Award of Excellence from Communication Arts magazine and will be featured in the 2018 Photo Annual issue on newsstands June 2018. In the editorial and advertising photography world, this is HUGE! I remember thumbing through back issues of Communication Arts in high school art classes looking for creative inspiration. I'm honored and humbled to have my work featured along of some of the best photographers in the world!
"The Unchosen Ones" artist book and COLLECTOR'S EDITION pre-sale has begun. I’m proud of every piece of this project including it being all made in Minnesota, USA.
The Artist Book Edition includes essays by independent curator Alison Nordström, PhD and Joe Scapanski, Minnesota State Fair Board of Managers. Designed by Matthew Steaffens. Publisher: Author. 2018. Softcover, unbound. 12.5 x 15.5 inches (31.6 x 39.4 cm). 76 pages, 65 color illustrations. Printed in Minneapolis, Minnesota, USA. First Edition, 200 copies. Retail price: US $35.
The COLLECTOR'S EDITION features:
- SIGNED Limited Edition PRINT (11 x 14 inches) from a choice of two images (1/10)
- 20 numbered copies + 4APs
- Clothbound, embossed clamshell box created by Keith Taylor
- Custom “The Unchosen Ones" rosette ribbon, inscribed by artist
- Hand-signed book, “The Unchosen Ones"
- Includes all Artist Book Edition details
Pricing to increase as edition sells out. Available May 2018.
Suzanne Révy reviewed three recently published photography books exploring relationships between humans and animals: The Sheep and the Goats by R.J. Kern, The Shepherd’s Daughter by Clare Benson, and Amelia and the Animals by Robin Schwartz. This is the first official review of my monograph published by Kehrer Verlag and I am honored to be featured along with the work of two accomplished artists, Clare Benson and Robin Schwartz!
The editor’s at PDN selected 30 photographers they consider to be the strongest new talent and shared them in their PDN’s 30 2018: New and Emerging Photographers to Watch. I’m thrilled to be apart of this amazing group of photographers. Be sure to read the advice the photographers offer (a must read with great insight).
The PDN’s 30 2018 photographers come from 10 countries and were selected from over 300 nominations by photo editors, curators, educators, publishers, and critics around the world. Editors then ranked each anonymous portfolio of images, searching for a critical eye and a unique voice paired with compelling imagery.
While this exposure was never a career goal, it will always remain on my CV. Thank you PDN editors including David Walker!
Special thanks to the kind words, support, and guidance by Lisa Volpe, Assistant Curator at the Museum of Fine Arts, Houston, Sarah Leen at National Geographic, Mary Virginia Swanson, Debra and Darren Klomp Ching at the Klompching Gallery, Paula Tongarelli at the Griffin Museum of Photography, Alexa Becker at Kehrer Verlag, and Laura Pressley at CENTER.
The Center for Creative Photography (CCP) at the University of Arizona recently acquired a copy of the COLLECTOR'S EDITION of "The Sheep and the Goats" (ed 33/50) for their permanent collection. The CCP is home to Ansel Adam's archive along with two of my mentors, Stuart Klipper and Wayne Gudmundson. I recently attended Mary Virginia Swanson's 2018 Masterclass and had a wonderful time (learn more on her blog here). During the workshop we met with Rebecca Senf, Chief Curator at CCP, and Terry Etherton and Daphne Srinivasan at the Etherton Gallery. These connections helped to facilitate the acquisition and I am extremely appreciative for their efforts.
I am excited to announce the Plains Art Museum has acquired the COLLECTOR'S EDITION: "The Sheep and the Goats" for the museum collection. I am excited that the public will now be able to enjoy the work, especially the kids where were featured in the book and in the National Geographic magazine! This creative collaboration feature the work of Karen Aakre who assisted with the one the rarest forms of Norwegian skinnfell wood block printing on the inside of the wool felt envelope, as well as the spun wool and mohair yarn and relics. You can learn more about Karen's effort in this wonderful video by WCCO-CBS >>
Join me for a book signing at the Classic Photographs Los Angeles Art Fair, February 3, 2018 from noon - 1 p.m. in the Klompching Gallery booth (G3, #30), located at the Bergamot Arts Center in Santa Monica, CA. I will have several COLLECTOR'S EDITIONS of "The Sheep and the Goats" with me (currently, 17/50 remaining). See you there!