David Walker shares my journey in the January 2018 issue of PDN in his article, "R. J. Kern Segues from Weddings to Fine Art." He highlights the importance of mentors such as David Hobby, Joe McNally, Stuart Klipper, David Bram, and Martine Fougeron. Thank you, Mr. Walker!
He writes, "First-place recipient of the Curator’s Choice Award, U.S. photographer R.J. Kern, offers a glimpse into a small subset of society in his series The Unchosen Ones, featuring the children and young adults from farming families who participate in animal contests at Minnesota county fairs, showing off their prized sheep and goats. Kern’s subjects are not the winners at these fairs. They are the losers, whose animals, which have names like Annabell, Hootie, and Doolittle, won no ribbons. In this context, the images seem to take on a deeper resonance, perhaps reflecting the dwindling lifeways of small, family-owned farms in the age of industrial agriculture, a way of life where strong bonds between children and animals may still be of some value. Although a few of Kern’s subjects appear disheartened, there is a sense of pride that comes through several portraits, which transcend categories such as “winner” and “loser.” Kern’s photographs reflect the subjects’ essential characters, deeming them all worthy of attention."
I've always enjoyed reading Lenscratch and appreciate her effort to showcase emerging photographer's work. We met at Photolucida and CLICK120 last month and I always wish I had more time with her. She's also a talented photographer, too. I enjoy her work on my wall at the studio.
Selected from over 1300 entries submitted from around the world, our juror, Philip Brookman, Consulting Curator at the National Gallery of Art in Washington, DC selected forty-five images for the gallery exhibition at the Center for Photographic Art gallery in Carmel, CA through December 23, 2017.
I was delighted to here Kenzi and Hootie, Anoka County Fair 2016 won SECOND PLACE ($2500).
Bill Knight reviews highlights from the Taylor Wessing Photographic Portrait Prize exhibited at the National Portrait Gallery, London (November 16, 2017 to February 8, 2018) and published work from The Unchosen Ones project.
The folks at the National Portrait Gallery Publications did a great job designing and printing Taylor Wessig catalogue, or as we say it in the US, "catalog!" Excited to make the trip across the pond to London and see the show with my brother in February 2018!
"Mr. Hofsós, Skagafjardarsysla, Iceland" along with nine other images from the project Divine Animals: The Bovidae promote my new book, "The Sheep and the Goats" by Kehrer Verlag. Thank you for the exposure, PDN!
I met Guo Jing during a portfolio review at Photolucida 2017 in Portland and she exhibited The Sheep and the Goats as part of the Yixian International Photography Festival in Anhui, China.
Special thanks to Jason Vaughn for the images.
I’m honored and humbled to have been chosen as the recipient of CENTER’s Curator’s Choice Award (First Place) juried by Corey Keller, Curator of Photography, SF Museum of Modern Art for my fine-art project, The Unchosen Ones. I’d like to thank the juror, Corey Kelly, and the Executive Director of CENTER, Laura Pressley, and the staff at CENTER for their support of the arts. Over 500 artists submitted work for consideration, many of which “didn’t win,” but deserve equal acknowledgement.
Corey Kelly’s juror statement reads (full text here):
I chose R.J. Kern as the first place winner, a series of posed portraits of children and their non-prize-winning goats. The question of what it means to be a victor certainly had new resonance this year, but for me the issues of winning or losing were far less pressing than the sensitivity of the portraits, both of the children and of the animals (two subjects notoriously difficult to photograph) and most essentially of their relationship to one another. The simple conceit of a uniform backdrop called attention to the act of photographing and also highlighted the differences in scale, attitude, and pose among the sitters, both human and hircine. I found the project beautifully seen and surprisingly tender.
The Unchosen Ones project is a Finalist in the Renaissance Photography Prize 2017, juried by Clare Grafik, Dewi Lewis, Fiona Rogers, Fiona Shields, Gem Fletcher, Marloes Krijnen, Melissa DeWitt, and Simon Roberts and will be exhibited at the Getty Images Gallery, London, England then will travel in 2018 to the following venues:
January 27 – March 10, 2018 Aberystwyth Arts Centre, www.aberystwythartscentre.co.uk
April 28 – June 9, 2018. The Civic, Barnsley, www.barnsleycivic.co.uk
"Portraiture dominates the world's longest-running photography competition" as described by the BBC on October 4, 2017 as part of the The 2017 Royal Photographic Society competition >>
I’m honored my work from the series "The Unchosen Ones" garnered a Silver Award from the Royal Photographic Society (RPS) International Photography Exhibition, now touring around the UK. I thank RPS for their support!
Four award winners were been selected from thousands of entries from across the world by the panel: Karin Bareman, Curatorial Project Manager for Autograph ABP;Zelda Cheatle curator, editor, lecturer and consultant in photography; Ingrid Pollard, photographer, media artist and researcher; and photographers and former IPE exhibitors Abbie Trayler-Smith and Sian Davey .
Held since 1854, the RPS hosts the longest running exhibition of its kind. Pictured is the exhibition at The Old Truman Brewery, London as part of Photoblock, a collection of exhibitions celebrating the best in contemporary and traditional photography.
The award-winning images will also be exhibited in a group show at theprintspace gallery, London, in 2018.
For the second year in a row, I am honored to have work on The FENCE. 40 photographer's work was chosen by 68 jurors among thousands of entries from around the world. The FENCE is a traveling photography exhibition reaching over 4 million visitors annually through open-air exhibitions in 7 cities across the United States: Brooklyn, Boston, Atlanta, Houston, Santa Fe, Durham, and Denver.
Upon my visit to CLICK 120 in October 2017, I was able to connect with my friend Chris Ogden who brought The FENCE to Durham, NC.
Star Tribune Arts Writer, Mary Abbe, publishes "Hazel" in print and online >>
PBS Newshour highlighted the story created by Twin Cities PBS as part of the Artist Day Jobs series on August 16, 2016 >>